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( Defects in the Wood are related to the direction of annular growth )
For most Hardwoods and therefore Maple, it takes about 1 YEAR to dry every 25mm (1 inch) thickness.
For most Softwoods , therefore Spruce ; it takes about 6 months.
This time scale is based on the AirDrying method of Seasoning; however ; this method will only reduce the wood moisture content to around 14% to 16% .
Therefore; further drying time is necessary which will take place indoors. The total time needed for seasoning boards of thickness 35mm is about 3 years for Spruce and 5 years for Maple. The other reasons why proper seasoning is necessary are as follows;
(i) Dry timber is easier to work with than very moist timber. (ii) Moint timber will not readily accept glue., dyes, pigment, or varnish. (iii) Moist timber will warp and deflect during the drying process. (iv) In general dry timber is stronger and stiffer than wet timber.
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2. Grain Structure:
The mass of the woods cell structure constitutes the “Grain” of the wood, which follows the main axis of the tree’s trunk. The nature of the grain is determined by the (Cellular specialization) degree of orientation, and environmental factors; notably Seasonal weather, (Spring, Summer / Autumn, Winter) and available nutrients, Oils ,Resins, and minerals, also contribute towards density.
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Certain Species of Pine ( Family Spicerae) for example “ Picea Abies” (European Spruce) & “Picea Stichensis” (Sitka Spruce), are ideal for the violin Front plate. Selected sound boards have to meet specific physical criteria which exhibit ideal characteristics of,
(i) Strength; (ii) Flexability; and (iii) Density
In order to exhibit excellent sound amplification.
Much of the tree grows very straight. This “ Straight “characteristic Growth, in particular the straight Late growth , (which are more dense than the early growth , and are the principle vibration conductor), distribute the sound efficiently across the surface of the Violin front Plate. For the violin a grain width of approx. 1mm is typical between the late growth rings and the early growth rings, from the centre line accross most of the Violin Front plate, widening out towards the edge. ( The increased grain width towards the edge provides extra flexibility so that the Violin front can fulfil its role well as a diaphragm.)
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The density which is typical for the Violin fronts in “ Picea Abies” (European Spruce) is around 470 Kg/M³ at 15% moisture content. Also in , “Picea Stichensis” (Sitka Spruce),) is around 430 Kg/M³ at 15% moisture content.
The wood for the Front should be Quarter sawn for maximum strength with Medullary Rays parallel to the top of the ribs. The wide edge of the Quarter Sawn Wedge must also run parallel to the Grain.
Violin Wood Selected for the back of an instrument, must be a much harder, rigid wood than that for the Front (Belly); however , still having the necessary degree of flexibility and density.
Maple of the (Family Aceraceae) , for example “ Acer Platenoides “ ( Bosnian or European Maple) and the density which is Typical for this is 660Kg /M³ at 12% moisture content..
Maple used for instrument making has a certain amount of “ Flame ” to a greater or lesser degree, an optical effect caused by the different angles of reflection of light caused by the wavy pattern (the changes of orientation ) in which the “Trachieds” were laid down. Flame does not appear to have an adverse effect on the sound of an instrument, though figured wood is weaker than plain wood and more difficult to work.
There are other woods with similar suitable characteristics which could be used for the back. Popular (“Populus Canadensis “) - Black Italian Popular has a Density of 450Kg /M³ at 12% moisture content..
- Willow (“ Salix Alba “) -Common Willow has a density of 450Kg /M³ at 12% moisture content..
Both have been used by Stradivari. Pear and Beech have been used by certain German and French makers, be it part of a mass production setup.
However , Maple of the right density is generally deemed better acoustically , and looks more attractive .
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All information on the Rocheviolins website is the copyright of Brian Roche.
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